![]() The more you use it, however, the better you will understand what it’s telling you and with some experimentation in crossover slopes, EQ, time alignment, install tweaker, etc, you’ll find that it is a very powerful tool. This is obviously not geared to be an ‘ultimate tuning thread’. I just can’t get into the time alignment aspect due to it being very complicated (and in my experience easier to set by ear anyway). However, I will touch on how to tell if drivers are in phase with each other in the last portion of this tutorial. This thread will not get into phase and time alignment features because, frankly, that opens up an ENTIRE other can of worms and I don’t want to bog this thread down anymore than it’s going to be. I really suggest you guys take a look at his thread, too. Ge0 wrote a very good tutorial a couple years back on this subject. Those of you who are may be able to articulate some of the below with more ease and precision than I can, and if you find something wrong, please jump in. I’m not a degreed acoustic engineer or anything of the sort. This is not specifically a tutorial on TrueRTA itself, but rather a tutorial on how to use TrueRTA with binaural microphones and how to use the results in a meaningful way to help you get a more pleasant stereo system in your car. I also assume you know how to use this program, but I will try my best to detail specific steps throughout the tutorial, providing links along the way to appropriate threads/sites for further information. ![]() That’s what my pals said at the start of the Elton John open-air concert near Geneva, Switzerland this week-end (July 2002).The following thread assumes you are familiar with what an RTA is, and more specifically, how to use programs such as TrueRTA. “You’re going to try recording with those in your ears! Why bother - something that small can’t be much good”. Voltage range – 2vdc – 12vdc (48v on XLR version).Produces extremely realistic recordings.Can be used directly with any recorder that has “plug-in-power” or with battery module.See the details on each module for features and specifications. You can also use battery module to adjust bass response and adjust levels. Microphone power supply (Battery Modules): For loud recording situations, the mics need more power than typical recorder can provide.These are also handy for those recordists who need the microphones to be very unobtrusive as they completely cover the mic element. These windscreens are acoustically transparent, and allow sound to pass through to your ears and the microphones completely unchanged. Windscreens: Since there are some variances in the shape of the human ear, and especially for customers with larger than average ears, and/or for windy situations, soft foam windscreens are available.The high sensitivity option is for use in situations that will range from very quiet to moderately loud sounds. The standard sensitivity option is for use in situations that will range from fairly quiet to very loud sounds. There are two available microphone sensitivities. ![]() The cables terminate in a stereo 1/8″ (3.5mm) right angle gold-plated miniplug. While recording, your hearing is not impaired, so you can enjoy the sound of the performance while making very realistic recording. This results in the most realistic recording possible, from the perspective of the person wearing them. These mics put the mic element right next to the ear canal, well within the Pinna. Because everyone’s Pinna is unique, recording made in your own ears will sound the most realistic. Even earbud Binaurals have the mic element outside the Pinna. There have been many ‘binaural’ microphone designs over the years…….mics built into fake heads, built into Croakies, made with clips for attaching to glasses, built into headphones and earbuds.Īll of these have one flaw……none actually put the mic element in the best possible place for the most realistic recording within the Pinna (the part of the human ear that is visible the folds on the outside). The SP-TFB-2 Sound Professionals In-Ear Binaural microphones are mounted in extremely comfortable super-soft, In-Ear holders that slip right into the ear structure.
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